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Throughout its history, women have served in various onscreen roles in the American professional wrestling promotion WWE.

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"In Medias Race: Filmic Representation, Networked Communication, and Racial Intermediation." In: Race in cyberspace / edited by Beth E. Edited by Katie Conboy, Nadia Medina, and Sarah Stanbury. "The major films about the plantation South have reversed the stereotypes; the black rebellious slave is never condemned for his actions just as earlier films, including The Birth of a Nation, never condemned the white plantation owner.

Contents: Brief historical overview of African Americans -- Theory : UCR, racial bias, public policy, and the mass media -- Bad boys : cop-u-dramas and other crime reality-based television programs -- Bamboozled : criminal stereotypes of African Americans in cinema -- Modern-day "Blaxploitation" : gangsta rap and its perpetuation of the Black demon stereotype -- Conclusion and suggestions for moving forward. "The Case of the Invisible Force: Images of the Negro in Hollywood Film." In Celluloid Power: Social Film Criticism From 'The Birth of a Nation' to 'Judgment at Nuremberg." Edited by David Platt, pp. Metuchen, NJ: Scarecrow Press, 1992."Selling Hot Pussy: Representations of Black Female Sexuality in the Cultural Marketplace." In: Writing on the Body: Female Embodiment and Feminist Theory. Gender and culture reader"The image of blacks in the work of Coppola, De Palma, and Scorsese." In: Beyond the margin: readings in Italian Americana / edited by Paolo A. Topics include multculturalism, stereotypes, and television programing.

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Black Women in Television: An Illustrated History and Bibliography / George Hill, Lorraine Raglin, Chas Floyd Johnson. Series title: Garland reference library of the humanities; vol. Black Action Films: Plots, Critiques, Casts, and Credits for 235 Theatrical and Made-for-Television Releases / James Robert Parish, George H. The film industry has gone from one extreme to the other." [America History and Life] "Stereotype-free Black Films." (independent filmmakers making films that more accurately portray black life than films made by big Hollywood studios)(First:)(Brief Article) Fortune v136, n5 (March 16, 1998):34 (2 pages).

Five Goodman Gallery artists – Kudzanai Chiurai, David Goldblatt, William Kentridge, David Koloane and Sue Williamson – are included in Fondation Louis Vuitton’s exhibition , curated by South African art historian Rory Bester at the New Church Museum in Cape Town.

Bester has selected works from the museum’s permanent collection and augmented these with loans that reflect on the patterns of repetition and recognition in turning over and overturning of art histories.

WWE currently refers to their female talent as Women/Female Superstars or simply Superstars.

In 1983, the Fabulous Moolah, who was the NWA World Women's Champion and legal owner of the title, joined the WWF and sold them the rights to the title after they disaffiliated from the National Wrestling Alliance (NWA) and recognized her as the first WWF Women's Champion.

Almost all television comedy portrayals of African Americans perpetuate racial stereotypes.

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