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Jules Cheret France's Belle Epoque Art Nouveau Paris in the 1900s Poster Art in Europe (c.1880-1910) The Inter-War Years: Art Deco After World War II "Art Posters" - Reproductions of Famous Paintings The evolution and development of poster art has always been closely linked to technical advances in printmaking, notably lithography.Thus although the lithographic process was invented by Alois Senefelder (1771-1834) as far back as 1798, it had little impact on posters until the advent of chromolithography later in the 19th century.
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Even then, it wasn't until Jules Cheret (1836-1932) invented his convenient "three stone lithographic process" in the 1860s - allowing lithographers to produce a wide spectrum of colours from just three stones - that low-cost colour posters at last became a reality.
Known as the "father of the fine art poster", Cheret not only developed a cheaper colour lithographic process, with richer more expressive colours, he also enhanced the aesthetic nature of the poster, endowed it with graceful designs (some influenced by Ukiyo-e woodblock prints from Japan, by artists like Hokusai and the younger Hiroshige) and transformed it into an independent work of art.
Honoured in 1928 with the opening of the Cheret Museum in Nice, Jules Cheret's posters, are some of the most highly sought-after items from the late 19th century.
By 1880, Cheret's new poster art form was attracting a number of other top designers such as Theophile Steinlen (1859-1923) responsible for the immortal poster "Cabaret Du Chat Noir", the great Toulouse-Lautrec (1864-1901) creator of numerous theatrical masterpieces, Pierre Bonnard (1867-1947), Edouard Vuillard (1868-1940).
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