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Whatever the fragment size, microscopical analysis of associated paper fibers and paint pigments coupled with identification of any apparent style or pattern can provide critical information before restoring a room or reproducing a wallpaper.In this article, the process of investigation and analysis is organized into five principal categories that should assist those responsible for the interpretation and restoration of historic surfaces.

Wallpaper, once the favorite daughter of interior design, is now more like the ugly stepchild.

The late 20th century took a toll on the decorating medium that has roots in the early 1700s, bringing far too much paisley and visions of mustard yellow to the dens and foyers of homes past.

Thankfully, there's a museum that cares about the untended wall art of yesteryear.

"Whatever you have in your rooms think first of the walls for they are that which makes your house and home, and if you do not make some sacrifices in their favour you will find your chambers have a kind of makeshift, lodging-house look about them…" -William Morris (1834-1896) Enter the Historic New England, an institution that sought to bring 4,200 pieces of vintage wallpaper to the internet, making a collection of works dating from the 1750s to the 1950s accessible to the public.

The conservation of historic wallpapers relies on the skills of the trained paper conservator.

As an element of the historic interior, their conservation must necessarily draw on the skills of easel painting, wall painting and textile conservators also, and as an element of the fabric of the building it may also involve close liaison with architects, historic building advisers and other specialists, particularly where deterioration is concerned.

Wallpaper is a kind of material used to cover and decorate the interior walls of homes, offices, cafes, government buildings, museums, post offices, and other buildings; it is one aspect of interior decoration.

It is usually sold in rolls and is put onto a wall using wallpaper paste.

Aside from this multi-disciplinary approach, the conservator must also be able to recognise period designs and styles which not only encourage appreciation, but also help identify contemporary materials and manufacturing techniques.

These in turn have a bearing on the choice of conservation treatment.

RSUM— Bien que les papiers peints soient plus phmres que les revtements peints, leur signification est tout aussi importante pour l'tude des dcors intrieurs des difices historiques.

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