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this mark is ALWAYS in overglaze blue enamel; and it is NEVER on pieces without gilding.

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Incised into the still soft clay during manufacture, in which case the mark will show a slight ploughed-up effect and have a free spontaneous appearance.

Impressed into the soft clay during manufacture, many name-marks such as 'Wedgwood' are produced in this way from metal or clay stamps or seals. Painted marks, usually name or initial marks, added over the glaze at the time of ornamentation, as were some stencilled marks.

Are you THE Melissa, my friend who answers lots of queries for us?? First I need to say Minton marks are a specialist area simply because Minton were so large and important company.

If yes, thanks for your constant help - much appreciated! My general references do not go into that much detail.

When Poulson died in 1808, Minton carried on alone, using Poulson's pottery for china until 1816. The products are more often referred to as "Minton", as in Minton china.

Early Mintons products were mostly standard domestic tableware in blue transfer printed or painted earthenware, including the ever popular Willow pattern.c.1841-45 Minton and Hollins c.1845 Herbert Minton and Co.When Minton & Company of Staffordshire exhibited a new line of ceramics at The Great Exhibition of 1851 in London, the firm called it Palissy ware.But even though Palissy ware was a more accurate description of Minton’s new line, the work quickly became known as majolica.Before long there was a majolica renaissance in Europe and the United States.To the collector the mark has greater importance, for not only can he trace the manufacturer of any marked object, but he can also ascertain the approximate date of manufacture and in several cases the exact year of production, particularly in the case of 19th and 20th century wares from the leading firms which employed private dating systems.

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